Dr Sherlock House

Le 11/01/2010 à 14:06 par Julia Baudin

On a coutume de dire que les auteurs de séries télévisées truffent scénarios et dialogues de références culturelles, littéraires, musicales, philosophiques ou historiques. Qu'en est-il de Dr House, rediffusé sur TF1 ?

Peu de clins d'oeil populaires dans Dr House et pour une raison évidente. Sophie Désir, en charge de l'adaptation des textes américains pour TF1, témoigne en effet de l'impossibilité à restituer les références culturelles, blagues ou imitations de la version originale, précisant que personne ne s'y retrouverait en France et que «la ménagère de moins de 50 ans doit tout comprendre».

Outre la passion de Gregory House pour la musique (de Miles Davis à Iggy Pop en passant par Mozart) et son extraordinaire habileté à jongler avec les concepts philosophiques ou religieux, on citera néanmoins son goût immodéré pour le soap-opéra Hôpital central. Le programme, diffusé en 1992 sur TF1, est la plus vieille série hospitalière de l'histoire de la télévision. Lancée en avril 1963, elle est d'ailleurs toujours en production et compte à l'heure actuelle près de 12 000 épisodes !

Au fond, la référence culturelle majeure de la série n'est-elle pas Sherlock Holmes ? En effet, au-delà des origines britanniques de Hugh Laurie, Gregory House et le célèbre détective ont de nombreux traits communs : l'adresse postale - les deux héros vivent au 221 bis -, une intelligence hors du commun, la misanthropie, la mélancolie... La dépendance à la drogue aussi : House à la codéine (son médicament, la Vicodine, est un opiacé, ou dérivé de la morphine), Holmes à la cocaïne (la fameuse solution à 7 %). Sans oublier les techniques d'investigation, l'ami unique et souffre-douleur -House et Wilson, Holmes et Watson-, et la musique -House est pianiste, Holmes, violoniste.

David Shore, créateur de la série, en témoigne : «Si le héros de Conan Doyle a inspiré de nombreux personnages de cinéma ou de séries télévisées, Gregory House en est le descendant le plus direct». Sans compter que Conan Doyle était médecin, que Le Chien des Baskerville, célèbre enquête de Holmes, commence par une histoire de canne...

Source: TVMag

Moi y'en avoir pas tout compris...



Source: Iwatchforcuddy et TV Guide

Un rien from Ausiello

Question: Did you get any House scoop from Lisa Edelstein at the Golden Globes? —Erin
Ausiello: No, I just snapped this picture and then ran away. Of course I got some scoop out of her. Lisa conceded that Jennifer Morrison’s exit earlier this season was “weird” for everyone. “It’s a very strange thing when somebody’s gone,” she admitted. “We’re all in the same boat as actors. We have very little control over our lives, so you can’t help but relate —whether or not the person it’s happened to feels it’s a good or bad thing. It’s hard for everybody… But it’s really great to see her back.”

Exclusive: 'House' spin-off still alive?
by Michael Ausiello

The Michael Weston-fronted House spin-off may have been condemned, but Fox remains keen on expanding the franchise. Network president Kevin Reilly tells me the hit’s EPs, David Shore and Katie Jacobs, have a “standing offer” to create another series. “It could be a direct spin-off or a completely new show,” says Reilly. “Ideally, I would love David and Katie to have their own [two-hour block].”

Regarding the duo’s first stab at a House offshoot, the one that would’ve focused on Weston’s private detective, Lucas Douglas, Reilly says they “kind of stuck their toe in the water and just didn’t feel like it worked. The [character] worked [on] House, but [he] didn’t really work as [his] own thing.

“They have really high standards,” he adds. “These are not guys who commercially are going to chase something just to announce they have a spinoff and then figure out the show later on. They’re probably the most thorough producers… I’ve ever worked with.”

For her part, Jacobs is game to try again. “I would like to do a 9 o’clock show,” she says. “Maybe a spin-off or maybe just another show from the two of us.” (Shore is currently shepherding a remake of The Rockford Files for NBC.) One way or another, she’s resigned herself to the fact that a new show is “the only way I seem to be able to penetrate the 9 o’clock hour” now that House is firmly entrenched at 8. “As a producer, you would never pick Mondays at 8. But having said that, the network put [House] there, and it seems to be working so I think they’re smarter about these things than we are. So we’re probably going to stay at 8.”

What say you House fans? Would you rather Shore and Jacobs revisit the idea of a House spin-off or develop something completely different? And if you pick the former, share your dream spin-off scenarios below!

NATPE: Early call for "House" trio

By: Variety
Published: Tue, January 26, 2010, 8:01 AM

Hugh "Droll" Laurie has that "what am I doing here" look on his face as the 8 am gabfest with him and "House" exec producers David Shore and Katie Jacobs.
He warms up as he talks about directing his first seg, which he wrapped this week. He joked that he was now "in the three day's grace before they see it," Laurie said, referring to Shore and Jacobs. "And then our relationship may change."
Good question from moderator Chris Harrison. How was Laurie the actor like to work for Laurie the director?
"I was nearly impossible," he said. "I'm still in my trailer."
Laurie added that he was fortunate to have for formidable David Strathairn in the episode.
Laurie recalled the process of getting cast in the NBC Universal-produced Fox drama. When he first met with Bryan Singer, who helmed the pilot, "he was eating a tuna sandwich...and he didn't stop eating the sandwich."
The subject of the show's strong success internationally came up. Laurie admits he's surprised by it, because it's such a wordy and character-dense show with "a very particular verbal tone," he said.
"We don't have that many car chases, ticking bombs or exploding elevators," he said. "We're very grateful to somebody somewhere with a large dictionary and thesaurus" who handles the translations.
Other tidbits:
** "House" was chased after by ABC and Fox when it was first in development.

** Then-Fox programming chief Gail Berman convinced Jacobs that the Dr. Gregory House character should not be in a wheelchair, as originally envisioned. The sight of him walking with a cane was much more powerful.

** About that American accent, Laurie admits he does work at it, though when he's on camera he tries not to think about working at it. "It doesn't get easier." While he was directing it was funny for him to switch back and forth, Shore noted.

** They tried the character with a British accent "for about a minute," Shore said. Laurie got through two sentences and that was it. House remained a true-blue Yankee.

** The question of the death of Kal Penn's character comes up. Laurie sounds like he'd vote for Penn for president. (Penn left the show to work for the Obama administration.) "Kal Penn is a ferociously intelligent, kind and funny person," Laurie said, "exactly the sort of bloke you would hope would wind up working for the president."

Orlando Jones Checks Into an All-New House This Monday

Orlando Jones is set to star in an all-new episode of House, M.D. this coming Monday night. On the show, House and his team rush to treat an ailing college football star in time for the patient to compete in NFL tryouts. But when the patient experiences an onslaught of varied and unusual symptoms, the team has trouble reaching a consensus on how to effectively treat him. Meanwhile, Foreman's brother Marcus (guest star Jones) makes a surprise visit to the hospital. The episode, entitled S06E12: "Moving the Chains"airs February 1st at 8:00-9:00 PM ET/PT only on FOX.

We recently caught up with Orlando to find out more about his appearance on the show. Here's what he had to say:

Foreman had some trouble before he became a Med student. He used to be in a gang. Does your storyline tie into his past?

Orlando Jones: Obviously we are brothers. I am tied to his past in that way. I am just getting out of prison and House gives me a job at the hospital. I start working for him. The rest of it unfolds throughout the episode. I don't want to spoil anything for you. But I will say that it all gets a little dicey.

You'll be working for House. Does that mean you'll be in more than one episode this season?

Orlando Jones: This season? No. I am out of the country shooting a movie right now, so I am out of pocket for the rest of their shooting season. Hopefully I will rejoin them next season.

Since House is always in the middle of everyone's business, what can you tell us about his involvement in the riff between you and your brother?

Orlando Jones: With me getting out of jail and coming to work for him, it certainly places House in the middle of this situation. It's a tough situation for both Foreman and my character, Marcus. House is trapped in the middle of this conflict, and that's the bulk of what you'll be seeing. And it will flow into future episodes. I don't want to ruin anything for you. I can certainly say that House is always in the middle of everything. And he is certainly in the middle of this business.

Is Thirteen going to play a role? Foreman and her seem to be making amends.

Orlando Jones: They do seem to be making amends, don't they? I'm curious to see how that will play out myself. She will certainly play a role in the two brothers relationship. If she will continue to play a role in the future, I don't even know that.

Were you a fan of House before you got cast?

Orlando Jones: I was. I have liked the show for a very long time. I was definitely a big fan.

Do you have any scenes with Hugh Laurie that lean towards lighter fare? Or is it all dramatic in nature?

Orlando Jones: Yes. I might spend more on-screen time with Hugh than I do my brother. It might be evenly split. I am not sure. I haven't seen the completed episode. But it's certainly not comedic in tone for the most part.

I want to know more about the interactions between your character and Foreman. Is there going to be a lot of drama?

Orlando Jones: Yes. I would say so. Anytime you have a family member getting out of prison, its always drama.

What type of other projects do you have coming up in the near future?

Orlando Jones: I am in Louisiana shooting a thriller called Seconds Apart. At the end of February I will figure out what is on the rest of my docket. Between House, M.D. and that film, that's how 2010 is shaping up for me right now.

Did you do any medical research for this episode?

Orlando Jones: Good question. But no. I didn't have to do any research. As a watcher of the show, I have learned a lot in the past. This particular episode leans more towards the personal relationships on the show. My learning curve was more about that, and less about thenitty gritty medical aspects of the series.

Any last words?

Orlando Jones: It was an amazing opportunity to work on this show. I am a fan of it. And I am looking forward to seeing the show along with everyone else. I think it will be collectively exciting for everyone. And I look forward to appearing on the show again in the near future.

Orlando Jones appears on House, M.D.: S06E12: "Moving the Chains", which airs February 1st at 8:00-9:00 PM ET/PT only on FOX.

Source: http://www.movieweb.com/news/NEyrtByFeogXCy

'House': Orlando Jones guest stars as Foreman's brother



By Liz Pardue

February 1, 2010 8:43 PM

After years of vague references on "House" about Foreman's family and criminal past, we finally have some details - and I'm still trying to work out how they affect my perception of Foreman. I'm also trying to get that image of a hissing opossum in Wilson's bathtub out of my head before bedtime, because I'd rather not have nightmares about what I can only assume are giant prehistoric rats (left over from the time when there were 8-foot beavers and whatnot) taking over my bathroom.

Patient of the Week: A very, very big (6'7", 310 lbs.) college football player has a crazy rage attack, but no memory of it. Unsurprisingly he's chock full of growth hormone (got any to spare, buddy?), though it appears to be a symptom. Rather than the usual "our patient is going to die in 36 hours if we don't figure this out" pressure, we're presented with a slightly less intense "our patient is going to miss his big chance to get scouted by the pros if he doesn't play this weekend" motivation. Also, he might die.

After a number of false starts and new symptoms, the patient is diagnosed with cryoglobulins, which take two or three weeks to cure, and could kill him if he plays in the game. He chooses to play anyway, for his mom's future, but goes blind before he makes it out on the field. And can I just say that I love that the show has gotten to the ethical point where a doctor can basically poison a patient (Foreman spiked his water to cause the temporary blindness) in order to keep him from making a life-threatening decision, and the morals of it are barely discussed.

In the end, though, it's melanoma for the win, hidden by the patient's dark skin and football cuts and bruises. His life has been saved, but he doesn't even care now that he's missed his shot. Bummer, you guys. Is this really how football works? There's just one big game with scouts, and if you miss it you'll never get drafted? Even the next year? Seems like you could miss some great players with that system, no?

Foreman: Foreman's older brother, Marcus (played by Orlando Jones), is out of prison. As soon as House determines that Foreman wants nothing to do with him, he hires Marcus as his assistant, infuriating Foreman. And this may just be because I love Orlando Jones, but it's kind of awesome. He tells House embarrassing stories about Foreman (some true), throws out helpful suggestions in the differential diagnosis, and spies - in "enemy territory" - on Foreman's interactions with the patient.

Though House claims to be in it for Machiavellian purposes, Wilson suggests that perhaps he's nicely trying to keep Foreman from doing the same thing House did with his own family. I'll admit, I was skeptical. Foreman reminds House that Marcus has blown every chance he's ever been given, while Marcus says that after Foreman got arrested (and he was with Marcus at the time) he devoted the rest of his life to never disappointing his mother. But after House announces in front of everyone that Foreman's mom died recently and he didn't even speak at the funeral or tell anyone, Marcus steps up to defend his little brother, and quits on the spot.

And hey, whaddya know, after a little prompting from our PotW about family and sacrifice, Foreman not only tells Marcus he'll try to get him a new job, but invites him to move in. It's almost as if House intentionally cast himself as a common enemy in order to bring them back together. Wilson: "You are the diabolical, but benevolent, puppet master." House denies it, but color me convinced.

Prank war!: Man, do I love me a good prank war. We begin with House using Wilson's bathtub, and an angrily hissing and possibly probably murderous opossum subsequently appearing in said tub after Wilson denies House access. Let's all take a moment to shudder. ...... Moving on, House continues to use the tub, falling and cutting his cheek when his hand rail mysteriously comes loose from the wall. Man, that seems pretty dangerous.

At first they blame each other for the incidents, but House suggests that neither of them is responsible; "The opossum [dramatic pause] was meant for me," using as his evidence the fact that Wilson couldn't have sabotaged the hand rail. Wilson: "Maybe you self-pranked." House: "I don't master prank." Ah, House and Wilson at their best. During their stakeout that night, the fire sprinklers in the condo go off, damaging their TV. Do many apartments have those? How do they work? Because my smoke detector goes off every time I bake cookies (and no, wise guys, not because I'm burning the cookies).

After House amusingly interrogates his hospital cohorts, Lucas reveals himself as the prankster! He agrees to "cease offensive operations," but threatens to tell Cuddy that they took her dream condo if they try to retaliate. "See, she's under this odd impression that you guys are her friends." Oooouch. Turns out she already knew, and still asked Lucas to back off on the pranks - Lucas suggests that she feels guilty about hurting House, even though he stole her condo. And in my opinion he'd be right, much as Cuddy refuses to confirm it.

Side case: A soldier who's a father-to-be facing stop-loss redeployment tries to fake an infirmity, and in the process suggests that an unsympathetic House is "Vietnam age." Things take a turn for the less humorous when he takes House's hopefully facetious suggestion to shoot himself in the foot seriously, which House then claims will only buy him a five-day vacation and a Band-Aid. A lost toe won't do it, either. And so the soldier winds up listening to House again and taking antibiotics that result in a foot amputation. Wow.

Liability issues aside, it's disturbing to me that House would wield his influence over a patient in such a massive way. He could've just refused to fake the infirmity and sent the man elsewhere, or agreed to fake it since he's never been one to follow the rules, anyway. Or emphasized his "escape to Canada" suggestion rather than putting amputation on the table. It's also disturbing that the soldier wouldn't even get a "second opinion" from a doctor who might be more likely to exaggerate the nature of his injuries before giving up his foot.

I think House realized the extent to which his actions have consequences when he saw the soldier's wife wheel him away - I'm just not sure where that realization will lead, or if it will carry over to the people in his life every day (unlike his apologies last week).

What did you think about the soldier sideplot and its significance? How did you feel about getting more background on Foreman?

Source: Zap-2-It

«Dr House», un fêlé fascinant
Propos recueillis par Muriel Frat
02/02/2010 | Mise à jour : 15:32



INTERVIEW - La série américaine revient pour une cinquième saison. L'historienne Marjolaine Boutet analyse les raisons de son succès mondial.

Hugh Laurie, alias Gregory House, reprend du service sur TF1 à raison de deux épisodes chaque mardi. Pour Marjolaine Boutet (1), agrégée et docteur en histoire, professeur à la Sorbonne, la fascination que la série américaine exerce sur les téléspectateurs tient autant à son caractère médical qu'à la personnalité de son héros.

LE FIGARO. - Quatre épisodes de «Dr House» se sont classés dans le top 10 des meilleures audiences de l'année 2009 en France, toutes chaînes confondues. Pourquoi un tel succès ?

Marjolaine BOUTET. - Tout d'abord parce qu'il s'agit d'une série médicale qui traite de la grande peur du XXIe siècle : les maladies rares. Dr House in­carne le médecin dans sa toute puissance puisque, dans la plupart des cas, il parvient à sauver d'une mort quasi certaine des patients qui présentent des symptômes inexplicables. Dans les années 1990 et au début des années 2000, Urgences avait rencontré un tel succès.

La personnalité de House contribue-t-elle aussi aux bons scores de la série ?

C'est son deuxième atout. House est l'archétype du antihéros. Un person­nage misogyne, misanthrope et infirme que l'acteur britannique Hugh Laurie interprète avec beaucoup de talent et un charisme fou. Il y a un côté exutoire chez lui, il fait des choses que le téléspectateur n'oserait jamais faire. S'ajoutent à cela des personnages secondaires sympathiques, en particulier Wilson, le meilleur ami du docteur, et le Dr Cuddy dont la relation amoureuse avec House ne se concrétise jamais.

Que dit «Dr House» sur la société américaine ?

Les séries policières américaines disent beaucoup plus de choses sur la société que Dr House. En tant que fiction médicale, c'est plus une enquête universelle sur les corps et les travers de l'âme humaine. Ce qui fonde son discours, ce sont les petits mensonges des uns et des autres qui paraissent anodins aux patients (ils refusent d'avouer qu'ils sont allés à tel endroit ou qu'ils trompent leur femme) mais qui bloquent la découverte de la vérité. Cette analyse de l'âme humaine est particulièrement vraie dans cette saison 5 où Dr House vit une véritable descente aux enfers.

Faut-il être un personnage méchant et cynique pour réussir à la télévision ?

Clairement oui. La décennie des années 2000 est celle du politiquement incorrect et des antihéros avec des personnages qui sont de plus en plus rugueux et qui ont toujours une faille, quelque chose qui ne va pas. Dans l'autre grand succès récent de TF1, Mentalist, le ­héros, certes plus beau et plus sympathique que House, a également une faille intérieure. Sa femme et sa fille ont été assassinées dans des conditions atroces, c'est un personnage brisé. La «fliquette» avec laquelle il travaille a, elle aussi, ses propres démons. On n'est pas dans une série positive. C'est ce qui séduit les téléspectateurs. Audiard disait : «Heureux les fêlés car ils laissent passer la lumière.»

Les héros de la série «Mad Men», diffusée sur Canal +, sont également des personnages très tourmentés.

Don Draper, le héros, a un passé très noir, il n'y a aucun personnage positif. dans Mad Men. Ils vont tous mal et font tous des choses que la morale réprouve. Derrière une façade très conformiste, on sent que le changement social, qui va arriver au milieu des années 1960, est vraiment en train de gronder. C'est une société en pleine ébullition au sein de laquelle le carcan des conventions n'est plus supportable.

(1) Auteur du livre « Les Séries télé pour les Nuls », First Éditions.

Source: Le Figaro

Un spin-off pour House ?
Les succès des spin-off de CBS pourrait bien inciter la FOX à créer sa propre franchise avec House ...

Amaury, le 27/01/2010 à 16h11

On vous en parlait il y a déjà deux ans. Michael Weston, alias Lucas Douglas, avait été introduit dans House dans le but d'introduire un potentiel spin-off. Le projet fut finalement rapidement abandonné mais la FOX considère toujours le fait de créer une franchise House.

Avec le succès de NCIS : Los Angeles cette année, les spin off annoncé d'Esprits Criminels et Law & Order la saison prochaine, les spin-off sont plus que jamais au cœur des stratégies des networks. Et pour cause : on se base sur une marque déjà connue du grand public, qui rencontre bien souvent un vaste succès, et qui sera donc un hit quasiment assuré. Les spin-off sont également une manne financière importante dans le cas des ventes à l'étranger et permettent d'assurer d'importants bénéfices dès la première saison.

C'est donc Kevin Reilly, le président même de la FOX, qui révèle l'information à EW. Il déclare ainsi que ce pourrait un spin-off direct ou une série complètement différente mais qu'elle serait, dans un cas comme dans l'autre, diffusé en combinaison directe avec House. Reilly veut en effet créer un bloc de deux heures pour le producteur prolifique David Shore, qui travaille actuellement sur le remake de 'Deux cents dollars plus les frais' pour NBC.

Kevin Reilly précise enfin que les producteurs prennent leur temps pour travailler sur cette nouvelle série et veulent véritablement quelque chose de qualité, d'où l'abandon du projet sur Lucas Douglas qui ne fonctionnait pas. Si un tel projet arrive à l'antenne en septembre, voilà une nouvelle qui noircit encore un peu plus l'avenir de 'Lie to Me' dont la FOX n'est pas vraiment satisfaite ...

Source: SériesLive

Dr House pour les Nuls

TV - Ciné - Musique - 09/02/10 11:03

Agrégée et professeur d'histoire à la Sorbonne, Marjolaine Boutet est une spécialiste des séries télévisées. A ce titre, elle vient de publier chez First Editions Les Séries télé pour les Nuls, un ouvrage dans lequel elle revient longuement sur la série médicale-phare de TF1, Dr House. En 2009, quatre des dix meilleurs audiences de la chaîne sont le fait du médecin le plus antipathique du PAF. Comment expliquer un tel succès ?

Dans les pages du journal Le Figaro, Marjolaine Boutet explique que le feuilleton cartonne "parce qu'il s'agit d'une série médicale qui traite de la grande peur du XXIe siècle : les maladies rares". "Dr House (alias Hugh Laurie, ndlr) incarne le médecin dans sa toute puissance puisque, dans la plupart des cas, il parvient à sauver d'une mort quasi certaine des patients qui présentent des symptômes inexplicables" a-t-elle précisé.

A l'instar des séries Grey's Anatomy et Urgences qui mettent en scène des internes et des urgentistes, Dr House fait évoluer des médecins. Mais ici, le personnage principal ne ressemble à aucun autre praticien. Archétype du anti-héros, Grégory House déteste tout le monde, y compris les patients qu'il soigne. Pour preuve, il les examine peu, partant du postulat que tout le monde ment. En cela, il correspond point par point aux héros de "la décennie des années 2000 (...), celle du politiquement incorrect et des antihéros avec des personnages qui sont de plus en plus rugueux et qui ont toujours une faille, quelque chose qui ne va pas" a ajouté Marjolaine Boutet. Et du coup, même si le docteur House est indéniablement misogyne et misanthrope, il reste attachant.

L'autre atout de la série réside dans ses personnages secondaires. Par exemple, James Wilson et Lisa Cuddy, interprétés par Robert Sean Leonard et Lisa Edelstein, s'attirent la sympathie du public, même si leur amitié avec Gregory House sera fortement remise en question dans la 5e saison. Cette dernière, particulièrement palpitante, risque bien de séduire de nouveaux téléspectateurs : les dialogues restants savoureux et l'intrigue poignante !

Dr House, deux épisodes chaque mardi, sur TF1, à partir de 20h45.
Les séries télé pour les nuls, de Marjolaine Boutet, First Edition, 364 p., 22,90 euros.

Source: Actu Voilà

ORLEAT
Télévision Insolite
samedi 20 février 2010 - 17:01

La canne du Docteur House est fabriquée en Auvergne !

Dans la saison 5, actuellement à l'écran, le plus célèbre boiteux de l'univers cathodique ne lâche plus sa canne en érable, fabriquée par Fayet, une entreprise du Puy-de-Dôme.

Entre Clermont-Ferrand et Thiers (Puy-de-Dôme), sur la commune d’Orléat, un bâtiment industriel au design soigné se dresse au beau milieu de la campagne auvergnate déplumée et frigorifiée.

Une petite pancarte indique l’identité du propriétaire : Cannes Fayet. Une institution de la région thiernoise, qui a dignement fêté l’an passé son centenaire. Une prouesse dans un bassin économique durement touché par les fermetures et les délocalisations.

" Nous avons repris spécialement la fabrication "

Dans le hall d’entrée, Jean-Paul Belmondo trône en couverture de Paris Match, les mains solidement posées sur le pommeau de sa canne. Au sein du panthéon maison, Bébel côtoie Alain Delon et Patricia Kaas. Mais tant pis pour eux, les Frenchies sont éclipsés, relégués au rang d’antiquités un rien surannées, par le dernier entrant. Un certain Dr House, incarné à l’écran par l’acteur britannique Hugh Laurie.

Ce champion de l’audimat, qui cartonne tous les mardis soirs sur TF1, promène sa grande carcasse boiteuse, au fil des épisodes de la saison 5, à l’aide d’une canne en érable clair agrémenté d’un culot en corne de vache, fabriquée dans les ateliers d’Orléat.

Une célébrité soudaine et inespérée pour un modèle retiré de la vente. « C’est la référence 720 dans notre catalogue, mais nous en avions arrêté la production voilà trois ans, sourit Jean-Luc Fayet, PDG et petit-fils du fondateur. Mais mon client américain en avait encore en stock et c’est elle que la production de la série a finalement choisie. »

Une apparition en guest-star qui ne doit cependant rien au hasard. « Il fournit la série depuis le début et paie même pour placer ces cannes à l’écran. En échange, je lui ai concédé l’exclusivité de la vente de ce modèle sur Internet. Mais je conserve le droit de le vendre dans le circuit traditionnel. » La référence 720 est donc de nouveau en production et vendue alentours de 60 euros.

Dominique DIOGON

Source: La Montagne